1945
New York, Pierre Matisse Gallery, Wifredo Lam, Recent Paintings.
1982
New York, Pierre Matisse Gallery, Wifredo Lam, Early Works 1942-1951, ill. No.8 (b.w.).
1992
San Juan (Puerto Rico), Arsenalde la Puntilla, Wifredo Lam, obras desde 1938 hasta 1975, de regreso al Caribe.
1992-1993
New York, The Studio Museum in Harlem, Wifredo Lam and his Contemporaries 1938-1952, ill. p.124 No.40 (col.).
M-P. Fouchet, Wifredo Lam, 1st ed., Barcelona/Paris, Poligrafa/Cercle d’Art, 1976, p.234, No 407 (b.w.)
M-P. Fouchet, Wifredo Lam, 2nd ed., Barcelona/Paris, Poligrafa/Cercle d’Art, 1989, p.254, No 439 (b.w.)
Wifredo Lam Catalogue Raisonne of the Painted Work Vol I 1923-1960 Fig. 45.31 page 376
Cuban • 1902 - 1982
Wifredo Lam was born in Sagua la Grande, Cuba and was of mixed Chinese, European, Indian and African descent. He studied under Fernando Álvarez de Sotomayor, curator for the Museo del Prado and teacher of Salvador Dalí.
While studying in Spain, he met Pablo Picasso, who would become his mentor and friend as well as one of his great supporters, introducing him to the intelligentsia of the time. Lam significantly contributed to modernism during his prolific career as painter, printmaker, sculptor and ceramist. His works explored Cubism and expanded the inventive parameters of Surrealism while negotiating figuration and abstraction with a unique blend of Afro-Cuban and Surrealist iconography. His iconic visual language incorporated syncretic and fantastical objects and combined human-animal figures fused with lush vegetation.
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