Ethan Cohen Fine Arts, New York
Potsdam, The Gibson Gallery, Icons and Innovations: The Cross-cultural Art of Zhang Hongtu, February 7 – April 4, 2003 (another example exhibited)
H. Wu, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago, 1999, p. 45; V. Tam, China Chic, New York, 2000, p. 93 (illustrated); M. Perkins, “The Supple Vision of Zhang Hongtu,” Icons and Innovations: The Cross-cultural Art of Zhang Hongtu, Potsdam, 2003, pp. 4, 7 (illustrated); B. Erickson, On the Edge: Contemporary Chinese Artists Encounter the West, Hong Kong, 2005, p. 88 (illustrated); J. Silbergeld, “Zhang Hongtu’s Alternative History of Painting,” at http://www.momao.com