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115

Salvador Dalí

The Song of Songs of King Solomon (M. & L. 468-479)

1971
The complete set of 12 etchings with stencil coloring and gold gilding, on Arches paper, with title, colophon and text pages, all contained in the original blue fabric-covered portfolio.
Portfolio 23 3/8 x 15 3/4 x 1 1/2 in. (59.4 x 40 x 3.8 cm)
All signed and numbered 'XXXII/L' in pencil (aside from the edition of 250 on Arches), published by Leon Amiel, New York.
Including: King Solomon; The Kiss; The Shepherd; The King's Train; The Dovelike Eyes of the Bride; The Bridegroom Leaps upon the Mountains; The Beloved Looks Forth Like a Roe; The Beloved is as Fair as a Company of Horses; Thou art Fair, My Love, and They Breasts...; The Beloved Feeds Among the Lilies; The Fruits of the Valley; and Return, O Shulamite

Salvador Dalí

Spanish | B. 1904 D. 1989

Salvador Dalí was perhaps the most broadly known member of the Surrealist movement of the early twentieth century. Heavily influenced by Sigmund Freud, the avant-garde style explored consciousness and dream-like states through exaggerated landscapes and bizarre or grotesque imagery. Using the means of painting, sculpture, printmaking, film and literature, Dalí explored these ideas with a meticulous hand and inventive wit. 

Although known for his role in Surrealism, Dalí was also a seminal example of celebrity showmanship and the cult of personality, a phenomenon that dominates popular culture today. Always a colorful and flamboyant presence with his signature cape, wide-eyed expression and trademark upturned waxed mustache, Dalí was a master of self-promotion and spectacle.

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