Cindy Sherman’s Untitled #303, 1994 stands at the intersection of the artist’s second Fashion series (1993-1994) and Horror & Surrealist pictures (1994-1996). In the former series Sherman adorned high-fashion to intentionally disquieting effects, turning couture into an imposing restriction and subverting the role of the model from mannequin to rebel. Alternately, in the latter series Sherman relied on mannequins to model human psychological states that often involved fantasies and dreams. In Untitled #303, Sherman dressed a mannequin as a fortuneteller and proceeded to multiply her likeness three times across the frame to emphasize the controlled illusion of the profession itself as well as the scene. By doing so, Sherman blurs the line between reality and myth, presenting the two as interchangeable constructs.