

252
Frank Stella
Quathlamba I, from V Series (G. 79, A. 25)
- Estimate
- $4,000 - 6,000
$5,334
Lot Details
Lithograph in colors with varnish, on Lowell paper, with full margins.
1968
I. 25 3/4 x 11 in. (65.4 x 27.9 cm)
S. 16 1/4 x 28 3/4 in. (41.3 x 73 cm)
S. 16 1/4 x 28 3/4 in. (41.3 x 73 cm)
Signed, dated and numbered 'P.P. I' in pencil (one of two printer's proofs in Roman numerals, the edition was 100 and 12 artist's proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps and inkstamp on the reverse), unframed.
Specialist
Full-Cataloguing
Catalogue Essay
"British and American clipper ships, fast-moving transport vessels, dominated the high seas during the middle decades of the nineteenth century. The three masted, square-rigged clipper ship gained its name for "clipping" along at record speeds, made possible with a sleek hull that sliced through the water, to which the chevron shape in the prints alludes. All of the ships named in the V Series were built in Great Britain." - Richard Axsom, Frank Stella Prints, p. 76
Literature
Frank Stella
American | B. 1936 D. 2024Frank Stella is recognized as the most significant painter that transitioned from Abstract Expressionism to Minimalism. He believed that the painting should be the central object of interest rather than represenative of some subject outside of the work. Stella experimented with relief and created sculptural pieces with prominent properties of collage included. Rejecting the normalities of Minimalism, the artist transformed his style in a way that inspired those who had lost hope for the practice.
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