391
Gerhard Richter
128 Fotos von einem Bild (128 Details from a Picture), Halifax 1978 IV (B. 101)
- Estimate
- $8,000 - 10,000
$11,340
Lot Details
Black and white photograph with unique hand-painting in grey oil paint, on resin-coated paper, loose (as issued), contained in the original grey cardboard box.
1998
Portfolio 6 3/4 x 9 3/4 x 1 1/8 in. (17.1 x 24.8 x 2.9 cm)
Signed, dated and numbered '63' in black felt tip pen on the reverse, also signed and numbered '63' in pencil on the justification page (the edition was 128 and 12 hors commerce), co-published by the artist and Verlag der Buchhandlung Walter König, Cologne.
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Literature
Gerhard Richter
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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