15
Gerhard Richter
Ifrit; Bagdad; Bagdad; and Aladin (P8-P11)
- Estimate
- £8,000 - 12,000♠
£12,065
Lot Details
The series of four chromogenic prints, flush-mounted to aluminium with metal strainers on the reverse (as issued).
2010/2014
Ifrit (P8) 33 x 44 cm (12 7/8 x 17 3/8 in.)
Bagdad (P9-P10) both 50 x 40 cm (19 5/8 x 15 3/4 in.)
Aladin (P11) 37 x 50 cm (14 5/8 x 19 5/8 in.)
Bagdad (P9-P10) both 50 x 40 cm (19 5/8 x 15 3/4 in.)
Aladin (P11) 37 x 50 cm (14 5/8 x 19 5/8 in.)
These facsimile objects are unsigned and all numbered variously from the editions of 500 in black ink on the reverse, published by the Serpentine Gallery, London.
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Gerhard Richter
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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