

161
Irving Penn
French Horseman
- Estimate
- $6,000 - 8,000
$5,000
Lot Details
Gelatin silver print.
1962
9 1/8 x 6 3/8 in. (23.2 x 16.2 cm)
Credit stamp on the reverse of the mount; 'Famous Photographers Schools', 'Original Art' and 'Please Return to Art Archives' stamps on board affixed to the reverse of the mat.
Specialist
Full-Cataloguing
Catalogue Essay
Founded in 1961, the Famous Photographers School was the foremost institution in mid-century America for teaching photography, then relatively nascent as a lucrative profession. Drawing from the undeniable star-power of ten of the most prolific and successful photographers at the time, from Richard Avedon to Philippe Halsman, Bert Stern, Alfred Eisenstaedt and Irving Penn, to name some of the more salient members, the school purported to help its students “achieve professional-level skill.” Quoting the age-old adage, an ad for the talented hub stated “If you want success, learn from successful people.” And while the success of the photographers was without dispute, their strengths were varied, as evidenced by the solid body of work—from commercial to editorial—that each photographer had produced by then. Indeed, the ten photographers—many of whom would see their star continue to shine brighter over the ensuing decades—collectively mastered a broad and comprehensive variety of skills that exposed their students to such genres as editorial still-life compositions, political portraits, fashion imagery, celebrity photography, darkroom manipulation and action shots, among others.
The camaraderie and cohesive nature of the exceptional group of trailblazers is best captured in Irving Penn’s Self-portrait with Famous Photographers, January, 1964 (lot 159). At the behest of the School’s advertising agency, the ten photographers assembled for a group shot intended for promotional purposes. Taken on January 25, 1964, the image had been months in the making, with the School’s Director, Victor Keppler, orchestrating the shoot in Bert Stern’s studio. It was decided that each photographer would take his turn shooting the group, reflected in an oversized custom mirror that had been brought in specifically for the occasion. Penn’s take with his 8x10 View Camera ended up being the final shot, selected for the photographer’s revered elegance in capturing the likeness and spirit of his peers. Indeed, Self-portrait with Famous Photographers marks a rare and a most exciting moment in the history of photography, when ten of the most talented and revered photographers in the world united for a wondrous spark.
The camaraderie and cohesive nature of the exceptional group of trailblazers is best captured in Irving Penn’s Self-portrait with Famous Photographers, January, 1964 (lot 159). At the behest of the School’s advertising agency, the ten photographers assembled for a group shot intended for promotional purposes. Taken on January 25, 1964, the image had been months in the making, with the School’s Director, Victor Keppler, orchestrating the shoot in Bert Stern’s studio. It was decided that each photographer would take his turn shooting the group, reflected in an oversized custom mirror that had been brought in specifically for the occasion. Penn’s take with his 8x10 View Camera ended up being the final shot, selected for the photographer’s revered elegance in capturing the likeness and spirit of his peers. Indeed, Self-portrait with Famous Photographers marks a rare and a most exciting moment in the history of photography, when ten of the most talented and revered photographers in the world united for a wondrous spark.
Provenance
Literature
Irving Penn
American | B. 1917 D. 2009Irving Penn was one of the 20th century’s most significant photographers, known for his arresting images, technical mastery, and quiet intensity. Though he gained widespread acclaim as a leading Vogue photographer for over sixty years, Penn remained a private figure devoted to his craft. Trained under legendary art director Alexey Brodovitch in Philadelphia, he began his career assisting at Harper’s Bazaar before joining Vogue in 1943, where editor and artist Alexander Liberman recognized Penn’s distinctive eye and encouraged him to pursue photography. Penn’s incomparably elegant fashion studies reset the standard for the magazine world, and his portraits, still lifes, and nude studies broke new ground. His 1960 book Moments Preserved redefined the photographic monograph with its dynamic layout and high-quality reproductions. In 1964, Penn began printing in platinum and palladium, reviving this 19th-century process to serve his own distinct vision. An innovator in every sense, Penn’s approach to photography was endlessly adventurous. Few photographers of his generation experimented as widely with both conventional and historic print processes, and none achieved Penn’s level of excellence in all.
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