216
Keith Haring
Pop Shop VI: one plate
- Estimate
- £3,000 - 4,000‡
£6,000
Lot Details
Screenprint in colours, on wove paper, with full margins.
1989
I. 29 x 37 cm (11 3/8 x 14 5/8 in.)
S. 34.3 x 42 cm (13 1/2 x 16 1/2 in.)
S. 34.3 x 42 cm (13 1/2 x 16 1/2 in.)
Signed, dated '11/3/93' and numbered 36/200 in pencil by Julia Gruen (Executor for the Keith Haring Estate) on a stamped Certificate of Authenticity on the reverse (there were also 25 artist's proofs), published by the artist (with an iguana blindstamp), framed.
Specialist
Full-Cataloguing
Literature
Keith Haring
American | B. 1958 D. 1990Haring's art and life typified youthful exuberance and fearlessness. While seemingly playful and transparent, Haring dealt with weighty subjects such as death, sex and war, enabling subtle and multiple interpretations.
Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.
Browse ArtistThroughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.