Two screenprints by Adolph Gottlieb and Josef Albers, three lithographs (one with collage) by Paul Jenkins, Max Ernst, and Victor Vasarely, all in colours, the prints on various wove papers, with full margins and full sheets, plus one aluminium multiple by Victor Vasarely,

1967; 1966; 1987; 1972; and 1969

all I. various sizes, largest S. 56 x 76.2 cm (22 x 30 in.)
aluminium multiple, both S. 46.5 x 39.5 cm (18 1/4 x 15 1/2 in.)

all signed in full or with initials, some dated, one titled, all numbered 64/75, '142-200', 24/60, 7/111, and 115/138 respectively in pencil or black ink (some with artist’s proofs and additional unsigned or hors commerce impressions), published by Marlborough Graphics, New York, Ives-Sillman, Inc., New Haven (with their blindstamp), Hatje Cantz, Stuttgart, and Editions Esselier, paris, respectively, the Josef Albers framed, the remainder unframed.