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喬治.康多
《德魯比抽象》
款識:George Condo 2017 (左下);26/75(右下)
絲網印刷 考文垂碎布紙本
紙張 45.6 x 40.4 公分 (17 7/8 x 15 7/8 英寸)
框 62.4 x 58.7 公分 (24 5/8 x 23 1/8 英寸)
框 62.4 x 58.7 公分 (24 5/8 x 23 1/8 英寸)
由布鲁克林 Art + Culture 於2017年出版,共有75版,此為第26版。
完整圖錄內容
喬治.康多
AmericanPicasso once said, "Good artists borrow, great artists steal." Indeed, American artist George Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Condo is known for neo-Modernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world.
Condo came up in the New York art world at a time when art favored brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. He was drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters.