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阿蒙卡特美國美術館藏系列—拍賣收益撥捐美術館購藏資金

184

威廉.艾格斯頓

《密西西比州莫頓》

約1972年作
染料轉印(1986年印)
20 3/4 x 13 3/4 英吋 (52.7 x 34.9 公分)
款識:簽名
鈴印:William Eggleston's Guide、版本(邊緣)
共有11版,此作為第5版。

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威廉.艾格斯頓

American | 1939

William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.

At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.

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