74
彼得·比爾德
756 elephants / Tsavo at the Mkomazi Border 1976 for The End of the Game / Last word from Paradise / …Destroyed social units in misery-likes company formation; Suffering over population, stress, heart disease, constipation + MISMANAGEMENT / (35,000-40,000 would die in this wasteland)
- 估價
- £60,000 - 80,000‡
£100,000
拍品詳情
Toned gelatin silver print with ink, blood and affixed snake skin, executed later.
1976
Sheet: 79.4 x 105.4 cm (31 1/4 x 41 1/2 in.)
Frame: 102 x 128 cm (40 1/8 x 50 3/8 in.)
Frame: 102 x 128 cm (40 1/8 x 50 3/8 in.)
Signed, titled, dated and extensively annotated in ink and blood on the recto; exhibition stamp on the reverse of the frame.
專家
完整圖錄內容
圖錄文章
To the left of the composition is a line from F. Scott Fitzgerald’s The Great Gatsby in Peter Beard’s distinctive handwriting:
'No-one dreamed that the game could ever be depleted by a few immigrants with maps and gunpowder. And yet, within a matter of years, this paradise would become a part of the modern world, a battlefeld desert littered with the carcasses of elephants beyond number as Fitzgerald wrote of another paradise: ‘For a transitory enchanted moment man must have held his breath, in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.’
756 elephants presents the quintessential Peter Beard – visual poet, alchemist, prophet – and epitomises his unique aesthetic and socially conscious approach. Once described as ‘Odysseus with a camera’, he was a visionary ahead of his time whose powerful work continues to resonate long afer its creation.
'No-one dreamed that the game could ever be depleted by a few immigrants with maps and gunpowder. And yet, within a matter of years, this paradise would become a part of the modern world, a battlefeld desert littered with the carcasses of elephants beyond number as Fitzgerald wrote of another paradise: ‘For a transitory enchanted moment man must have held his breath, in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.’
756 elephants presents the quintessential Peter Beard – visual poet, alchemist, prophet – and epitomises his unique aesthetic and socially conscious approach. Once described as ‘Odysseus with a camera’, he was a visionary ahead of his time whose powerful work continues to resonate long afer its creation.
來源
過往展覽
文學