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朗．阿拉德
《大容易第2冊》扶手椅
- 估價
- HK$200,000 - 300,000€23,600 - 35,400$25,600 - 38,500
HK$190,500
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拋光不鏽鋼 鍍鉻軟鋼
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《大容易第2冊》扶手椅彰顯了羅恩·阿拉德自成一派的設計風格，以及他模糊藝術與設計界限的獨特能力。阿拉德於1988年設計此限量版作品，以大膽而迷人的方式將原材料的形態與功能巧妙融合。此拍品由拋光的不銹鋼與氧化鋼銹混合而成，給予扶手椅強烈的當代藝術風格和與眾不同的個性感。
羅恩·阿拉德的設計是基於大膽的實驗和顛覆常規。他經常挑戰材料上和生產技巧的限制，去打造具有創新性且發人深思的作品，並在任何室內空間皆引人注目。阿拉德能輕而易舉地融合不同材料，充分印證他技術實力和獨具匠心的巧思。《大容易第2冊》擁有獨特的曲線和角度，座椅寬敞而舒適，金屬的主體則勾勒出富動感的輪廓，使其成為一件栩栩如生的雕塑品。
英裔以色列建築師羅恩·阿拉德輝煌的職業生涯跨越了多個領域，包括建築、家具設計和藝術。他在1951年出生於特拉維夫，並在耶路撒冷的Bezalel Academy of Art and Design畢業後，前往倫敦的Architectural Association School of Architecture進一步深造。阿拉德曾與眾多世界知名品牌合作，並在赫赫有名的畫廊和博物館中展出，是業界當之無愧的佼佼者。
羅恩·阿拉德的設計是基於大膽的實驗和顛覆常規。他經常挑戰材料上和生產技巧的限制，去打造具有創新性且發人深思的作品，並在任何室內空間皆引人注目。阿拉德能輕而易舉地融合不同材料，充分印證他技術實力和獨具匠心的巧思。《大容易第2冊》擁有獨特的曲線和角度，座椅寬敞而舒適，金屬的主體則勾勒出富動感的輪廓，使其成為一件栩栩如生的雕塑品。
英裔以色列建築師羅恩·阿拉德輝煌的職業生涯跨越了多個領域，包括建築、家具設計和藝術。他在1951年出生於特拉維夫，並在耶路撒冷的Bezalel Academy of Art and Design畢業後，前往倫敦的Architectural Association School of Architecture進一步深造。阿拉德曾與眾多世界知名品牌合作，並在赫赫有名的畫廊和博物館中展出，是業界當之無愧的佼佼者。
來源
文學
朗．阿拉德
Israeli | 1951Ron Arad's work and career is characterized by his movement between modes and constant experimentation. Arad was born in Tel Aviv, Israel in 1951 and studied at the Jerusalem Academy of Art before moving to London in 1973. He began his practice in London in the early 1980s and set up One Off Ltd, focused on limited edition objects, with his partner Caroline Thorman. A decade later he had moved to industrial production techniques and collaborations with large design firms such as Vitra and Kartell.
A persistent theme throughout his work is innovation and the idea of the "new." Still producing work today, Arad uses the latest technology to produce his designs and also integrates it within his pieces, such as his Lolita Chandelier (2004) that can receive and display text messages. Arad also continually experiments with materials and has an exceptional skill to coax volume and undulation out of them, with a particular affinity for metal. His works such as The Big Easy chair (1988) walk the line between design and sculpture. Once an outsider, Arad's relentless energy to design, build and collaborate has placed him firmly within the highest ranks of the design world.
瀏覽藝術家A persistent theme throughout his work is innovation and the idea of the "new." Still producing work today, Arad uses the latest technology to produce his designs and also integrates it within his pieces, such as his Lolita Chandelier (2004) that can receive and display text messages. Arad also continually experiments with materials and has an exceptional skill to coax volume and undulation out of them, with a particular affinity for metal. His works such as The Big Easy chair (1988) walk the line between design and sculpture. Once an outsider, Arad's relentless energy to design, build and collaborate has placed him firmly within the highest ranks of the design world.