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美國遺產管理委員會珍藏系列

242

羅伯特·馬瑟韋爾

《水邊 (T. 453, E. & B. 339)》

1984年作
石版畫 凸版畫 壓花 拼貼 TGL手製紙本 德國蝕刻版畫模製紙本(全包邊)
I. 27 3/4 x 22 7/8 英吋(70.5 x 58.1 公分)
S. 33 1/8 x 26 1/2 英吋(84.1 x 67.3 公分)
款識:簽名、57/62
鈴印:紐約州Tyler Graphics, Ltd.
尚有62版、12版羅馬數字藝術家試作版,由紐約州Tyler Graphics, Ltd.發行,此為已裱。

羅伯特·馬瑟韋爾

American | B. 1915 D. 1991

One of the youngest proponents of the Abstract Expressionist movement, Robert Motherwell rose to critical acclaim with his first solo exhibition at Peggy Guggenheim's Art of This Century gallery in 1944. Not only was Motherwell one of the major practicing Abstract Expressionist artists, he was, in fact, the main intellectual driving force within the movement—corralling fellow New York painters such as Jackson Pollock, Willem de Kooning, Hans Hoffman and William Baziotes into his circle. Motherwell later coined the term the "New York School", a designation synonymous to Abstract Expressionism that loosely refers to a wide variety of non-objective work produced in New York between 1940 and 1960.

During an over five-decade-long career, Motherwell created a large and powerful body of varied work that includes paintings, drawings, prints and collages. Motherwell's work is most generally characterized by simple shapes, broad color contrasts and a dynamic interplay between restrained and gestural brushstrokes. Above all, it demonstrates his approach to art-making as a response to the complexity of lived, and importantly felt, experience.

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