110
草間彌生
《我所崇拜的自己（豪華套裝）》
- 估價
- HK$30,000 - 50,000€3,600 - 5,900$3,800 - 6,400
HK$38,100
拍品詳情
全套20組瓷製茶具，包括六對茶杯和茶碟、六個餅盤、一個茶壺和一個心形盤子；每組存於獨立紅色布面盒，刻有金色字體，全部存於原裝紅色絨布面箱。
2013年作
絨布面箱：29.2 x 38.1 x 38.1 公分 (11 1/2 x 15 x 15 吋)
款識：印刷簽名、編號40/100（出版商證書）
鈴印：簽名、日期、標題（每組底部）
共有100版，由日工株式會社為東京森美術館製造，以紀念六本木新城和森美術館成立10週年，此為第40版。
鈴印：簽名、日期、標題（每組底部）
共有100版，由日工株式會社為東京森美術館製造，以紀念六本木新城和森美術館成立10週年，此為第40版。
專家
完整圖錄內容
圖錄文章
Including: Love Forever; Heart; Flower; Cloud; Shine; Dream; Sun; Cosmos; and Love
草間彌生
JapaneseNamed "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.
As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.
瀏覽藝術家As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.