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132

Banksy

《芭蕾舞伶 CP/03》

款識:BANKSY CP/03 (畫布邊緣)
噴漆 畫布
40.7 x 30.5 公分 (16 x 12 英寸)
2013年作,並附 Pest Control 工作室之保證書。
班克斯是當代全球極富盛名的藝術家,慣以匿名方式,創作出視覺大膽又充滿諷刺意味的作品。有著街頭塗鴉藝術的背景,他將街頭藝術提昇至另一個更具廣泛影響力的重要性指標,利用這個媒介,他把常被主流媒體忽略報導的冷門政治及社會議題,帶到人們的眼前,引起關注。藝術家在2013年進行了「Better Out Than In」駐村計畫,這個為期一個月於紐約的展覽中,每天會推出一件作品,《芭蕾舞伶 CP/03》即是他在中央公園設立一個攤位上,所賣出其中一件具真跡簽名的畫作。

本件作品所呈現的藝術質感不容小覷,班克斯在此挑戰並拆解了另一個偶像符號。他從彼得・伊利里奇・柴可夫斯基最著名的芭蕾舞劇天鵝湖取材,將奧黛特公主的輪廓轉化成一幅嘲諷畫,同時卻保留了這角色所不可避免的死亡陰影,以及凶兆籠罩之下的潛在情緒。舞者標準呈現阿拉貝斯克舞姿(單腳站立並將另隻腳水平抬起)的優雅而平衡之美,與下方令人不安的「小心易碎」紅色字樣,立刻形成強烈對比。班克斯使用了十分輕易辨識的奧黛莉公主形象作為視覺主軸,突顯其鮮明的諷刺意識。公主受到邪惡巫師詛咒,變成了天鵝,唯有找到永恆真愛,才能打破魔咒。當班克斯借用了奧黛莉公主這個故事背景,他直指了這個角色的柔軟及纖弱,也暗喻著真相往往超越了我們直觀所見看似單純之表象。從藝術家獨特的美學語彙來分析,他沿用了以模板來噴繪芭蕾舞者形象的個人風格,並以高度純熟的技巧使用噴漆上色,將塗鴉特質詮釋在畫布上。

《芭蕾舞伶 CP/03》這件作品不僅展現班克斯簡潔的美感,更再次揭露了一個沒有其他藝術家能及、如此具變革性的公共藝術形態,因而也更確立了他在當代藝術具指標性的地位。

Banksy

British | 1975

Anonymous street artist Banksy first turned to graffiti as a miserable fourteen year old disillusioned with school. Inspired by the thriving graffiti community in his home city, Bristol, Banksy's works began appearing on trains and walls in 1993, and by 2001 his blocky, spray-painted works had cropped up all over the United Kingdom. Typically crafting his images with spray paint and cardboard stencils, Banksy is able to achieve a meticulous level of detail. His aesthetic is clean and instantly readable due to his knack for reducing complex political and social statements to simple visual elements.



His graffiti, paintings and screenprints use whimsy and humour to satirically critique war, capitalism, hypocrisy and greed — with not even the Royal family safe from his anti-establishment wit.

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