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Damien Hirst

《在旋轉中,世界對事物的作用:第一卷及第二卷》

2002年作
全套第一卷及第二卷,第一卷包括23組蝕刻版畫,第二卷包括14組蝕刻版畫 Hahnemühle 紙本(全包邊)全部存於每卷原裝作品集,封面上分別有獨版家用油漆旋轉畫和金色絲網印刷標題。
第一卷
圖像:不同尺寸
紙本:35 3/4 x 27 7/8 英吋 (90.8 x 70.8 公分)
文件夾:38 1/4 x 29 3/4 x 1 英吋 (97.2 x 75.6 x 2.5 公分)
第二卷
圖像:不同尺寸
紙本:43 3/8 x 35 3/4 英吋 (110.2 x 90.8 公分)
文件夾:43 3/8 x 35 3/4 x 1 英吋 (110.2 x 90.8 x 2.5 公分)
款識:簽名(全部版畫)15(第一卷及第二卷文件夾版權頁)
每卷尚有68版及12版藝術家試作版,由倫敦The Paragon Press出版。

更多資訊

Damien Hirst

British | 1965

There is no other contemporary artist as maverick to the art market as Damien Hirst. Foremost among the Young British Artists (YBAs), a group of provocative artists who graduated from Goldsmiths, University of London in the late 1980s, Hirst ascended to stardom by making objects that shocked and appalled, and that possessed conceptual depth in both profound and prankish ways.



Regarded as Britain's most notorious living artist, Hirst has studded human skulls in diamonds and submerged sharks, sheep and other dead animals in custom vitrines of formaldehyde. In tandem with Cheyenne Westphal, former Chairman of Phillips, Hirst controversially staged an entire exhibition directly for auction with 2008's "Beautiful Inside My Head Forever," which collectively totalled £111 million ($198 million).



Hirst remains genre-defying and creates everything from sculpture, prints, works on paper and paintings to installation and objects. Another of his most celebrated series, the 'Pill Cabinets' present rows of intricate pills, cast individually in metal, plaster and resin, in sterilized glass and steel containers; Phillips New York showed the largest of these pieces ever exhibited in the United States, The Void, 2000, in May 2017.

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