331
Gerhard Richter
《籠 4 (P19-4)》
- 估價
- £6,000 - 8,000‡♠
£27,720
拍品詳情
彩色數位版畫印刷 鋁塑板
2006/2020年作
100 x 100 公分 (39 3/8 x 39 3/8 英吋)
共有200版，傳真物件未簽，由倫敦 HENI Editions 出版。
款識：120/200（圖背黑墨）
款識：120/200（圖背黑墨）
專家
完整圖錄內容
文學
Gerhard Richter
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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