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Yayoi Kusama
《夕映元之海》
完整圖錄內容
《夕映元之海》是草間彌生藝術生涯重要時刻的作品。1950年代初,她在紐約已頗有成就,然因健康問題而回到日本,起初數年創作很是晦澀。直到1988年她在日本福岡縣北九州市立美術館舉辦了一場回顧展,翌年在紐約國際當代藝術中心亦舉辦回顧展。這些重要展覽讓草間彌生重返國際藝壇焦點,並在接下來的二十多年一直保持不斷。《夕映元之海》便是她再次站到藝壇前衛尖端後數年的作品。
草間彌生向來是一位探索先驅,從她的抽象畫作、環境的反射和自身遭遇都可見一斑。其獨有的創作是極為個人的,並非理論或藝術史學所驅使,而是來自她從兒時開始就籠罩困擾她的幻覺,圖案在她眼裡的斑斕世界總是層疊重複。草間彌生的繪畫猶如一種療愈過程,驅除這種幻象,同時也強調在幻象中一切事物密切相連的關係。在《夕映元之海》等畫作中,草間彌生描繪出每個微小個體連成的巨大整體,環環相扣。她談到自己的幻覺時曾寫道:「解散與聚積;傳播與分離;顆粒毀滅以及宇宙從未所見的迴響 – 這些都是形成我的藝術的基石。」(草間彌生,《無限網:草間彌生自傳》,R. McCarthy 譯,倫敦,2013年,69頁)
Yayoi Kusama
JapaneseNamed "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.
As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.