9
Yayoi Kusama
《南瓜》
完整圖錄內容
草間彌生的藝術創作紮根於她幼時的某些深刻記憶,南瓜圖案是其中一個核心的代表性元素,在其作品中不斷出現。她回憶起南瓜時滿載緬懷:「我第一次見到南瓜是在小學的時候,跟爺爺一起參觀了一個大型採種場… 就在那裡:像人頭那麼大的南瓜… 它馬上活生生地跟我講話」(錄於《無限的網:草間彌生》(Ralph McCarthy 譯),倫敦,2011年,第75頁)。早在1940年代,南瓜就開始出現在她的創作中了,當時她在京都市立工藝美術學校學習傳統日本畫,就已有淡雅線條勾勒出的南瓜作品。爾後,其1980至1990年代的創作開始正式出現以南瓜為主題的作品,草間彌生對它的鍾愛至今沒有絲毫減退。
從南瓜進入草間彌生的生命,到它踏入國際藝術殿堂,它將是一個永不褪色的標誌,如同草間彌生本人的延伸和隱喻。
Yayoi Kusama
JapaneseNamed "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.
As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.