Brussels, Galerie Xavier Hufkens, Felix Gonzalez-Torres, Michael Jenkins, March - April 1991 (another example exhibited)
Glens Falls, The Hyde Collection, Just what is it that makes today’s home so different, so appealing?, 8 September - 17 November 1991 (another example exhibited)
Tokyo, Wacoal Art Center of Spiral Garden, Three or More: A Multiple Exhibition, 1 October - 24 October 1992, p. 82 (another example exhibited and illustrated)
Glasgow, Tramway, Read My Lips: New York AIDS Polemics, 26 October - 1 December 1992 (another example exhibited)
Washington, D.C., The Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution; Los Angeles, Museum of Contemporary Art, Felix Gonzalez-Torres: Traveling, 24 April - 11 September 1994 (another example exhibited)
New York, Fischbach Gallery, Absence, Activism and the Body Politic, 9 June - 28 July 1994 (another example exhibited)
New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, 3 March - 10 May 1995 (another example exhibited)
Santiago de Compostela, Centro Galego de Arte Contemporánea, Felix Gonzalez-Torres (A Possible Landscape), 12 December 1995 - 3 March 1996 (another example exhibited)
Musée d’Art Moderne de la Ville de Paris, Felix Gonzalez-Torres (Girl Friend in a Coma), 11 April - 16 June 1996 (another example exhibited)
New York, Greene Naftali Gallery, Broken Home, May - June 1997 (another example exhibited)
Hannover, Sprengel Museum; Kunstmuseum St. Gallen; Vienna, Museum Moderner Kunst Stiftung Ludwig, Felix Gonzalez-Torres, 1 June 1997 - 1 November 1998 (another example exhibited)
Barcelona, Fundació Joan Miró, Lux / Lumen, 19 June - 7 October 1997 (another example exhibited)
Harrisburg, Susquehanna Art Museum, I’m Not Here: Constructing Identity at the Turn of the Century, 2 December 1999 - 24 February 2000 (another example exhibited)
St. Gallen, Sammlung Hauser und Wirth, The Oldest Possible Memory, 14 May - 15 October 2000 (another example exhibited)
Albuquerque, National Hispanic Cultural Center of New Mexico, La Luz: Contemporary Latino Art in the United States, 21 October 2000 - 27 May 2001 (another example exhibited)
Dallas Museum of Art, Gonzalez-Torres/Joseph Beuys, 16 February - 6 May 2001 (another example exhibited)
Ann Arbor, University of Michigan Museum of Art, A Matter of Degree: Abstraction in Twentieth Century Art, 10 November 2001 - 27 January 2002 (another example exhibited)
Avignon, Collection Lambert, Coolustre, 25 May - 28 September 2003 (another example exhibited)
Paris, Galerie nationale du Jeu de Paume, Eblouissement, 23 June - 12 September 2004 (another example exhibited)
New York, Lehman Maupin, L'Art Vivre, 15 April - 14 May 2005 (another example exhibited)
Waltham, The Rose Art Museum, Brandeis University, Broken Home, 23 January - 13 April 2008 (another example exhibited)
Kansas City, Nelson-Atkins Museum of Art, Sparks! The William T. Kemper Collecting Initiative, 3 May - 20 July 2008 (another example exhibited)
Clermont-Ferrand, L’Espace d’Art Contemporain La Tôlerie, La Foule (Zéro – Infini): Chapitre 1 (unity - dualité - la meute - la masse), 6 May - 15 July 2008 (another example exhibited)
Paris, Passage du Retz; Israel, Petach Tikva Museum of Art, Insomniac Promenades: Dreaming/Sleeping in Contemporary Art, 11 July 2008 - 3 July 2009 (another example exhibited)
Clermont-Ferrand, L’Espace d’Art Contemporain La Tôlerie, La Foule (Zéro – Infini): Chapitre 2 (chaos - contrôle), 10 October - 30 November 2008 (another example exhibited)
Ann Arbor, University of Michigan Museum of Art, Permanent Collection Installation, 21 December 2009 - 22 January 2013 (another example exhibited)
Brussels, Wiels Contemporary Art Centre; Basel, Fondation Beyeler; Frankfurt, Museum für Moderne Kunst, Felix Gonzalez-Torres: Specific Objects without Specific Form, 16 January 2010 - 25 April 2011 (another example exhibited)
Mexico City, Museo Universitario Arte Contemporáneo, Somewhere/Nowhere, 27 February - 23 May 2010 (another example exhibited)
Art Institute of Chicago, Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation, 13 February - 22 May 2011 (another example exhibited)
New York, Pace Gallery, Burning, Bright: A Short History of the Lightbulb, 28 October - 26 November 2011 (another example exhibited)
Kunstmuseum Basel; Siegent, Museum für Gegenwartskunst; Lisbon, Culturgest; New York, Artists Space, Tell It to My Heart: Collected by Julie Ault, 2 February 2013 - 23 February 2014 (another example exhibited)
Paris, La Galerie des Galeries, In a Sentimental Mood, 28 May - 8 August 2013 (another example exhibited)
Cleveland, Museum of Contemporary Art, DIRGE: Reflections on [Life and] Death, 7 March - 8 June 2014 (another example exhibited)
Centre Pompidou-Metz, 1984-1999 La Décennie, 24 May 2014 - 2 March 2015 (another example exhibited)
Los Angeles, The Museum of Contemporary Art, Pacific Design Center, Tongues Untied, 6 June - 13 September 2015 (another example exhibited)
Avignon, Collection Lambert, Patrice Chéreau, un musée imaginaire, 11 July - 11 October 2015 (another example exhibited)
Dublin, Irish Museum of Modern Art, What We Call Love: From Surrealism to Now, 12 September 2015 - 14 February 2016 (another example exhibited)
Modena, Manifattura Tabacchi, The Mannequin of History: Art after Fabrications of Critique and Culture, 18 September 2015 - 31 January 2016 (another example exhibited)
Ann Arbor, University of Michigan Museum of Art, Permanent Collection Installation, September 2015 - 2020 (another example exhibited)
Paris, Passage de Retz, Représenter l'Irreprésentable?, 5 December 2015 - 15 January 2016 (another example exhibited)
Frankfurt, Museum für Moderne Kunst, An Imagined Museum: Works from the Centre Pompidou, the Tate and the MMK, 24 March - 4 September 2016 (another example exhibited)
London, Hauser & Wirth, Felix Gonzalez-Torres, 27 May - 30 July 2016 (another example exhibited)
Reading, Artangel, Inside. Contemporary Artists and Writers in Reading Prison, 4 September - 4 December 2016 (another example exhibited)
Cleveland Museum of Art, Permanent Collection Installation, 27 February 2017 - Present (another example exhibited)
North Adams, Massachusetts Museum of Contemporary Art, The Half-Life of Love, 6 May 2017 - 25 March 2018 (another example exhibited)
Geneva, Musée d’art moderne et contemporain, Cady Noland, Laurie Parsons, and Felix Gonzalez-Torres, 31 May - 10 September 2017 (another example exhibited)
Los Angeles, Museum of Contemporary Art, Give and Take: Highlighting Recent Acquisitions, 4 March - 3 September 2018 (another example exhibited)
Milan, Massimo De Carlo, MCMXXXIV, 8 March - 13 May 2019 (another example exhibited)
Montpellier Contemporain, Intimate Distance, 29 June - 29 September 2019 (another example exhibited)
Hong Kong, David Zwirner, Singing the Body Electric, 11 July - 10 August 2019 (another example exhibited)
New York, Off Paradise, Doubles, 27 February - 27 July 2020 (another example exhibited)
Ann Arbor, University of Michigan Museum of Art, Oh, Honey...A Queer Reading of the Collection, 21 August 2021 - 20 February 2022 (another example exhibited)
Felix Gonzalez-Torres. Roni Horn, exh. cat., Sammlung Goetz, Munich, 1995, p. 20
Encyclopaedia Universalis, ed., Universalia 1997. La politique, les connaissances, la culture en 1996, Paris, 1997, p. 478
Dietmar Elger, ed., Felix Gonzalez-Torres: Text, Ostfildern, 1997, pp. 40, 56, 57
Dietmar Elger, ed., Felix Gonzalez-Torres: Catalogue Raisonné, Ostfildern, 1997, no. 118, p. 69 (another example illustrated)
Felix Gonzalez-Torres, exh. cat., Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2006, p. 177 (another example illustrated, p. 164)
Las Implicaciones de la Imagen, exh. cat., Museo Universitario de Ciencias y Arte, Mexico City, 2008, no. II.25, pp. 234, 193 (another example illustrated, titled as Untitled No. 2)
Reality Check, exh. cat., Statens Museum for Kunst, Copenhagen, 2008, p. 90
Dawn Ades, Tate Latin American Acquisitions Committee: Celebrating 10 Years, New York, 2011, p. 45
Julie Ault, ed., Felix Gonzalez-Torres, Göttingen, 2016, no. 2, pp. 211, 373 (another example illustrated, pp. 89, 209, 360)