Private collection, Milan
Lisa Licitra Ponti, Gio Ponti: The Complete Work 1923-1978, Cambridge, 1990, p. 184
Marco Romanelli, ed., Gio Ponti: A World, exh. cat., Design Museum, London, 2002, pp. 64-65
Ugo La Pietra, ed., Gio Ponti, New York, 2009, p. 301
Laura Falconi, Gio Ponti: Interiors, Objects, Drawings, 1920-1976, Milan, 2010, p. 251
Perri Lee Roberts, Modern Living: Giò Ponti and the Twentieth-Century Aesthetics of Design, exh. cat., Georgia Museum of Art, Athens, 2017, p. 118
Italian • 1891 - 1979
Among the most prolific talents to grace twentieth-century design, Gio Ponti defied categorization. Though trained as an architect, he made major contributions to the decorative arts, designing in such disparate materials as ceramics, glass, wood and metal. A gale force of interdisciplinary creativity, Ponti embraced new materials like plastic and aluminum but employed traditional materials such as marble and wood in original, unconventional ways.
In the industrial realm, he designed buildings, cars, machinery and appliances — notably, the La Cornuta espresso machine for La Pavoni — and founded the ADI (Industrial Designer Association). Among the most special works by Gio Ponti are those that he made in collaboration with master craftsmen such as the cabinetmaker Giordano Chiesa, the illustrator Piero Fornasetti and the enamellist Paolo de Poli.
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