Private collection, Forlì
'Il pannello-cruscotto per la scrivania di un dirigente d’azienda', Domus, no. 228, September 1948, pp. 22-23 for a similar example
Roberto Aloi, Esempi Di Arredamento Moderno, Di Tutto Il Mondo: tavoli tavolini carrelli, Milan, 1955, fig. 151 for a similar example
Ugo La Pietra, ed., Gio Ponti: L’arte si innamora dell’industria, New York, 2009, p. 190 for a similar example
Daria Guarnati, ed., Aria D’Italia: espressione di Gio Ponti, Milan, 2011, p. 80 for a similar example
Sophie Bouilhet-Dumas, Dominique Forest and Salvatore Licitra, eds., Gio Ponti: archi-designer, exh. cat., Milan, 2018, p. 31 for a similar example
Italian • 1891 - 1979
Among the most prolific talents to grace twentieth-century design, Gio Ponti defied categorization. Though trained as an architect, he made major contributions to the decorative arts, designing in such disparate materials as ceramics, glass, wood and metal. A gale force of interdisciplinary creativity, Ponti embraced new materials like plastic and aluminum but employed traditional materials such as marble and wood in original, unconventional ways.
In the industrial realm, he designed buildings, cars, machinery and appliances — notably, the La Cornuta espresso machine for La Pavoni — and founded the ADI (Industrial Designer Association). Among the most special works by Gio Ponti are those that he made in collaboration with master craftsmen such as the cabinetmaker Giordano Chiesa, the illustrator Piero Fornasetti and the enamellist Paolo de Poli.
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