“I think a good dealer is also a collector.”
—Rosa EsmanRosa and Aaron Esman assembled an outstanding collection of Modern, Post-War, and Contemporary art over the course of their seventy-year marriage. The collection’s highlights mirror that of Rosa’s career as a gallerist and print publisher (which Aaron, a psychoanalyst, strongly supported), with interests in Modernism, Dada, Russian Constructivism, and American Pop Art taking center stage. Rosa got her start publishing artists’ print portfolios in the 1960s, including the New York Ten Portfolio, 1965, and Ten for Leo Castelli, 1967, which featured works by rising contemporary artists such as Andy Warhol, Roy Lichtenstein, and Robert Rauschenberg, and helped pioneer the field of artist’s editions and multiples. Her eponymous gallery exhibited in Manhattan for over twenty years, and she was a founding partner of Ubu Gallery, which is still in operation today.
When asked about her wide artistic tastes in 2009, Rosa emphasized her love of drawing, “the quintessential bit of the art,” which can be seen across the collection, regardless of genre.
The pair bonded over gallery visits when dating in the early 1950s. While Aaron already had begun collecting by then, the first work they purchased together was a drawing by Miró, early in their marriage. Rosa recalled: ‘sometimes we look at something, and I say, “Oh, isn’t that marvelous?”’ and Aaron would respond, ‘It’s for us.’
Founded on lifelong love, the Collection of Rosa and Aaron Esman gives a unique vision of the art movements of the 20th century that shaped New York’s art scene.
Rosa and Aaron Esman, Madrid, 1963 Literature
Brenda Danilowitz 173.1-173.10
Catalogue Essay
Including: Variant I; Variant II; Variant III; Variant IV; Variant V; Variant VI; Variant VII; Variant VIII; Variant IX; and Variant X
Property from the Collection of Rosa and Aaron Esman
15
Ten Variants (D. 173)
1967
The complete set of 10 screenprints in colors, on Rives BFK paper, with full margins, loose (as issued), contained in the original paper folders, all contained in the original cream linen-covered portfolio case and black slipcase.
all I. various sizes
all S. 17 x 17 in. (43.2 x 43.2 cm)
slipcase 18 1/4 x 17 3/4 x 1 1/4 in. (46.4 x 45.1 x 3.2 cm)
Numbered 249/300 in black ink on the reverse of the title page (from the unsigned edition of 100, there was also a signed edition of 200), published by Ives-Sillman, Inc., New Haven, Connecticut (with their blindstamp).
Estimate
$8,000 - 12,000
Editions@phillips.com
212 940 1220
Editions & Works on Paper
New York Auction 18 - 20 April 2023
