KAWS - Editions & Works on Paper New York Friday, July 24, 2020 | Phillips
  • Artist Biography

    KAWS

    American • 1974

    To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy. 

    Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.  

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105

NO ONE'S HOME; STAY STEADY; and THE THINGS THAT COMFORT

2015
The complete set of three screenprints in colors, on Saunders Waterford paper, with full margins.
all I. various sizes
one S. 29 x 33 1/2 in. (73.7 x 85.1 cm)
two S. 36 x 29 in. (91.4 x 73.7 cm),

All signed, dated and numbered 151/250 in pencil (there were also 50 artist's proofs), published by Pace Editions, Inc., New York, all framed.

Estimate
$35,000 - 55,000 

Sold for $52,500

Contact Specialist
Kelly Troester
Worldwide Co-Head of Editions, Modern
+1 212 940 1221
ktroester@phillips.com

Cary Leibowitz
Worldwide Co-Head of Editions, Contemporary
1 212 940 1222
cleibowitz@phillips.com

Editions & Works on Paper

New York Auction 23 - 24 July 2020