“They are waiting to be used. The variants can be periodically unleashed and be periodically returned to their kennel. They are portable – but once you put one in place it becomes locked into its context. What locks it in? It don’t know. Something different every time, I would Imagine.”
—Richard Artschwager
Artschwager's multiples offer visual and analytical contradictions, subversively engaging simultaneously with the vernaculars of Pop, Minimalism, and Conceptualism: the Pop derivation from utilitarian objects, the Minimal application of industrial materials, and the Conceptual impulse to engage with the ideological structures of language. Twisting established dichotomies of artistic and industrial production, Artschwager blurs the line between what is faux versus real, handmade versus manufactured, functional versus useless, and ordinary object versus high art.