Rodney Graham pulls from cultural and intellectual history through photography, film, music, performance and painting. He presents narratives with puns and references to literature and philosophy, including Sigmund Freud and Kurt Cobain, with a sense of humor that contradicts his residence in the post-punk scene of late 1970s Vancouver.
In his film trilogy Vexation Island (1999), How I Became a Ramblin' Man (1999) and City Self/Country Self (2001), the artist plays characters like a castaway and a cowboy caught in repetitive cycles of actions and gestures. Such unconscious dream states are further explored in Graham's series of upside-down photographs of oak trees, which are hung to mimic camera obscura.
35mm colour film transferred to DVD 4:00 minute loop Executed in 2000, this work is number 2 from an edition of 4 and is accompanied by a certificate of authenticity signed and dated by the artist.
Estimate £25,000 - 35,000
Sold for £56,250
Contact Specialist Simon Tovey
Head of Sale
+44 20 7318 4084