Self-love thus push'd to social, 2015, highlights Ziegler’s contemporary take on history paintings. Renown for bringing together motifs derived from a wide range of sources, we see in this instance the use of a Nineteenth Century landscape painting, The White Horse, 1818 -1819, by John Constable. Ziegler is often erasing the clear distinction between figuration and abstraction; yet the similarities these two works share is evident, particularly in the treetops and surrounding foliage.
Provenance
Simon Lee Gallery, London Acquired from the above by the present owner
Literature
Andrew Goldstein, ‘Shoppers, Rejoice! 50 Paintings at Frieze London to Please Stylish Collectors (and Their Discerning Decorators),’ Artspace, 14 October 2015, online