“Muniz’s latest efforts continue his long-term obsession with remaking famous paintings, this time using scraps torn from glossy magazines . . . The effect is startling. All because of the vagaries of enlargement, it seems, the images almost appear to be pieced together from tiny pieces of fluttery, slightly fuzzy frayed cloth, like some kind of rag picker’s folk art . . . This crazed fusion of matter, hand and lens is always at play in Mr. Muniz’s photographs, but until now it has never been achieved in quite such adamant terms.”
—Roberta Smith, Co-Chief Art Critic, The New York Times