"The thought of continually eating something like macaroni, spat out by machinery, fills me with fear and revulsion, so I make macaroni sculptures. I make them and make them and then keep on making them, until I bury myself in the process. I call this obliteration."
—Yayoi Kusama
Provenance
Galleria del Naviglio, Milan Private Collection, Europe Private Collection, Italy (acquired from the above) Sotheby’s, Hong Kong, April 3, 2017, lot 896 Acquired at the above sale by the present owner
Named "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.
As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.
signed, titled and dated "NO. B KUSAMA 1964" on the reverse macaroni and paint on panel 13 1/8 x 11 in. (33.3 x 27.9 cm) Executed in 1964, this work is accompanied by a registration card issued by Yayoi Kusama Inc.