棕櫚灘私人收藏
8
Zao Wou-Ki
《美目 (Å 307-311)》
估價
$8,000–12,000
成交價
$11,970
1981年作
全套五組蝕刻版畫及幼點腐蝕，附全套五組簽名和編號的複製印模（散裝如出版所示） Rives BFK 紙本 連版權頁及文本 全部存於原裝綠色布面文件夾和包套
全部圖像：10 x 7 3/8 英吋 (25.4 x 18.7 公分)
全部紙本：15 x 11 英吋 (38.1 x 27.9 公分)
全部紙本：15 x 11 英吋 (38.1 x 27.9 公分)
款識：簽名、日期、9/40（隨附套裝、原裝第一組版畫、版權頁）
尚有120版、20版樣本作、20版羅馬數字藝術家試作版，由巴黎 Maeght 畫廊出版，5組簽名版已裱。
尚有120版、20版樣本作、20版羅馬數字藝術家試作版，由巴黎 Maeght 畫廊出版，5組簽名版已裱。
完整圖錄內容
Considered a modern landscape poet, Philippe Jaccottet's Beauregard is a set of five prose pieces, the first of which was inspired by the poet's chance discovery of a remote village near where he lived, in the Drôme, Southeast France, called Beauregard. His work is animated by a fascination with the visible world from which he translates visual objects into verbal images and ultimately into figures of language.
'Beauregard appeared in 1981, with Maeght, in Paris. It offers five short, intense, searchingly eloquent and, oddly, at once restive and serene proses with their various though overlapping reflections. Reflections upon catching sight, at the end of a winter's outing, of a small village, Beauregard, nestled against the mountains; upon the snow melting in March near Grignan, in the Drôme; upon April scapes of flowers, revealed earth, surging plants; upon a May meadow of tall grasses, the play of light upon the world, the dimming, falling dusk, the quiet traversal of anonymous, divine places emptied of their gods; upon the stunning and exhilarating experience of watching and hearing starlings as they swirl about, now smoke, now arrows, now clouds, now trailing banners, through the summer sky high above Jaccottet and a few friends. Such reflections, moreover, are quickly doubled, plunged into metaphoricity, partly recenterd or decentered as a metadisourse upon the problem of articulating this minimum. And all of this, discourse and metadiscourse, is hung about with the emblematic, delicate dream-like engravings of Zao Wou-Ki: forms and fadings, émergences and évanescences, presences that remain elusive, self-questioning, quasi-unreal'. Michael Bishop Jaccottet's Beauregard: 'Structure' and 'Deconstruction', Dalhousie French Studies, Vol. 17, 1989, pp. 3-4
'Beauregard appeared in 1981, with Maeght, in Paris. It offers five short, intense, searchingly eloquent and, oddly, at once restive and serene proses with their various though overlapping reflections. Reflections upon catching sight, at the end of a winter's outing, of a small village, Beauregard, nestled against the mountains; upon the snow melting in March near Grignan, in the Drôme; upon April scapes of flowers, revealed earth, surging plants; upon a May meadow of tall grasses, the play of light upon the world, the dimming, falling dusk, the quiet traversal of anonymous, divine places emptied of their gods; upon the stunning and exhilarating experience of watching and hearing starlings as they swirl about, now smoke, now arrows, now clouds, now trailing banners, through the summer sky high above Jaccottet and a few friends. Such reflections, moreover, are quickly doubled, plunged into metaphoricity, partly recenterd or decentered as a metadisourse upon the problem of articulating this minimum. And all of this, discourse and metadiscourse, is hung about with the emblematic, delicate dream-like engravings of Zao Wou-Ki: forms and fadings, émergences and évanescences, presences that remain elusive, self-questioning, quasi-unreal'. Michael Bishop Jaccottet's Beauregard: 'Structure' and 'Deconstruction', Dalhousie French Studies, Vol. 17, 1989, pp. 3-4